Sunday, February 5, 2012

Redding up...

My family comes from small places. I get my anxieties honestly.

My grandmother was one of eighteen children, none of them multiples. Her father was mean and he drank. She didn't talk about her childhood often, but there were whispers of a thread that followed her. She never admitted sexual abuse outright, but we knew it was there.

She and her sisters would run out of the house at night in their flannel night shirts to hide in the corn fields that surrounded them. Her mother didn't scream as much as she might, but they hid from the sound, praying he would finish with her and head up the stairs. They huddled under the rustling stalks, leaves that cut the palms of your hands and felt like sandpaper.

My grandmother was not a dramatic woman, but she came under the spell of anxieties, and in the end, those anxieties kept her company until her grave. She developed a brain tumor that made it so she couldn't sit still. She wandered her house all night. During the day, she fiddled with the blinds and changed the channel on the television so many times, there wasn't anybody who could stand to be near her. Her ankles were bruised and swollen. She might have died sooner, had her nerves, being pressed upon by the cancer, allowed her get to get a moment's rest.

Rest was something she needed, when it came time.

My mother speaks like my Grandmother. Throughout my childhood, she told us to "Red up your room," and that the washer needed fixed. We played in a crick behind our forth grade teacher's house.

My father hated everything. He felt like the world owed him something it didn't. He called my mother stupid, and so I put up barriers against her colloquialisms. I made my speech pure. I called a soda a soda.


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I'm linking this post up with Write On Edge. This week's memoir prompt was to discuss colloquialisms.


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10 comments:

  1. I can't wait to talk about this one! You captured your family's accent and attitude without mocking them. The image of your grandmother hiding in the cornstalks is harrowing.

    And I grew up where other kids played in cricks, too. I was required to play in a creek.

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  2. I agree that the lines about the stalks was stellar. Just amazing.

    I love how you use voice and dialect as a metaphor for burying, bullying, and surviving.

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  3. Ammmmannnnndaaaa!

    This is such a powerful piece!! REally, really great job. I live close to you, friend. I'm just a bit south in Morgantown, WV. You going to PennWriters?

    Oh, and for the record, I still call it pop.

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  4. The scene in the cornstalks was wonderfully written. You said so much in such a short amount of time. Nice job.

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  5. You captured so much with your words: time, emotion and family. It's so sad when we use dialect to judge other people, to segregate people into belonging and good enough or otherwise, rather than appreciating the nuances of a language shared. Thank you for sharing. :)

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  6. well written with a wide net of respect for your roots.

    I loved this. It showedme your life and made me want to know more.

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  7. Scars last longer on the heart, in fact I don't think they ever heal. And the pain is hereditary, the memory of abuse becomes imbedded in our DNA. This is beautifully haunting and provoking. Well done.

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  8. Amanda, I have loved everything I've read of yours. You have an amazing voice. I'll be visiting you often!

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  9. I agree with the others..the scene in the corn is riveting. I love the description of the leaves cutting their hands. Almost like hiding in a briar patch from a far worse fate. Nicely written.

    This was so thought-provoking and unique. I loved it.

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  10. Wow in less than 400 words I feel like you wrote the scene of a movie. Very well written. I'm visiting from WOE yesterday.

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